What were the details that you wanted to highlight?
It was less about trying to highlight them, and more about bringing them back. There were very few things original to the house before we started the renovation. We focused on trying to enrich it with casework reminiscent of Federal-style details, particularly on the parlor floor. Another aspect was trying to expose the original timber structure—and make it a design element in the primary bedroom and the family room in the garden level.
The project’s paint palette stretches from earthbound to bright, lemony yellow. Can you share how you select hues with your clients?
We choose and change colors all throughout [an engagement]. This project was led by color in a way that’s unusual for us. This particular client loves color, so we had to start early and make sure it was represented throughout the process in our design packages. The colors here are reminiscent of the era of most of the furniture. Jean Prouvé and Charlotte Perriand both loved color, as evidenced by their furniture.
I know sound quality was a concern in this house—with five kids! What design choices were made to contain noise within the busy home?
Fabric walls, drapes, and rugs all help to dampen sound. Quality construction also helps—thick walls and thresholds, doors, doors, doors…..
What are some of your favorite fairs or markets throughout the year for sourcing some of the great vintage pieces featured in your projects?
All of the fairs are good—TEFAF is great. The British Antique Dealers Association has some good fairs. But we rely heavily on auctions for our sourcing. It feels more authentic, and the furniture feels even more special when you have to fight for it.
This interview has been condensed and edited for brevity and clarity.
