What’s The Logical Endpoint Of Pop Culture’s Insane-And-Dangerous-Ballerina Trope? A Ballerina Vampire, Of Course!

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“Unlike Black Swan, the darkly funny Abigail — which follows a band of kidnappers as they discover that their prisoner, supposedly an adolescent ballet student, is actually a centuries-old vampire — doesn’t aim for profundity. But entertainment-world depictions of ballet, even in campy romps like Abigail, carry weight.” – The New York Times

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